GRAVEYARD PT. II
GRAVEYARD
The world is black. And then you blink at your plate.
A portion of your favorite dish greets your eyes, albeit in a form you may never have seen it in before. Encased in a thick, wobbling layer of multi-colored gelatin, the food you know and love now sits suspended in its protein-based enclosure as an eccentric re-imagining of the dish. Furthermore, it only takes a glance to see that the rest of the dining table's spread shares this same theme, as every single dish, sweet or savory, finds itself victim to a jiggling Jell-o jail.
Still, you won't have much time to take this all in before a quiet, high-pitched giggling makes its way to your ears, only crescendoing in volume the longer you sit in this oh-so-familiar dining room. It doesn't take much to find the source of the sound either; unlike the other side, this place is absolutely teeming with fairies to the point where the fluttering of their iridescent wings is clearly audible behind the din of their laughter. As you come to your senses, dozens and dozens of beady eyes watch with their tiny faces stretched out in a wide grin, before speaking in unison.
"Welcome, we can't wait to serve you!"
As the fairies erupt in raucous laughter all around you, at least one more thing is readily apparent: however you met your end, your body is completely whole again. You also have company at the table with you, although whether it's desirable company or not may depend on the circumstances surrounding your death.
In any case, there's nothing stopping anyone from leaving the dining room and roaming freely as usual, and most of the same areas that were available to you on the other side are still present here, albeit with some differences. And though your life may have been stolen from you, it still looks like you have a part in this tale, somehow, someway.
So, will you let your story finish here, or will you write your own ending?
[Welcome to the Graveyard! This is part 2 of the GY post for Weeks 6 and 7. The previous post for Weeks 2-5 is linked above. Please also view the GY doc linked above for a full rundown of the basics. You may also still submit for items and gacha rolls using the GY shop post.]

FERRY'S EXPLORATION
no subject
First step is opening those double doors? Hopefully they're not too heavy he's kind of a weenie still.]
no subject
no subject
no subject
otherwise he's got himself, some salt, and a blade. let's go! ]
no subject
no subject
no subject
As they all walk off to open the door, they'll find that while it's heavy, it's no real match for their combined strength. And as it opens up, it reveals an elaborately carved chamber resembling a hall of an actual castle all completely to scale. As grandiose as it is, there only really seems to be a couple things to examine: which ends in another set of double doors at the end, and one of the walls which seems to have something engraved on it.]
no subject
no subject
no subject
no subject
Suga at least has paper, so he copies the drawing down as best as he's able. Pear + sick face, narrow point in a river, one (1) decapitated head. Got it.]
no subject
no subject
no subject
no subject
no subject
Yep.]
no subject
[A call out to the other group] Well? What've ya got there?
no subject
no subject
Peril straight ahead.
Hm. Ominous.
[ luckily they're all prepared for war (ish) huh ]
no subject
The large double doors slowly open without a sound, leading them deeper into the maze. Although honestly, maze really isn't quite the right word at this point, considering how it simply opens into a very wide, round chamber with three doors situated around it. There's one each on the left, on the right and a final one straight ahead.
Where to?]
no subject
So
Is the correct answer to go to the one that has peril in it?
These explorations are usually dangerous, right
no subject
Usually we split up when there's multiple things to check, but there was that last puzzle...
no subject
no subject
One last team up, for a treat? [Ideally, anyway.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
2/2 cw: spiders.
(no subject)
(no subject)
(no subject)
(no subject)
cw: implied mass suicide I guess
more (assisted) suicide
(no subject)
(no subject)
(no subject)
(no subject)
backdated planning I guess so we remember what happened here
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)